We Have To Do Better

By Tommy Rehbein

Sometimes being gifted in a certain area is a double-sided coin. While an artist's mind may be wired to arrange music, language, movement, images, and other elements in ways that astonish us, bring us to tears, make us laugh, provide new perspectives, or allow respite from the day's worries, the same mind may also bend under the weight of the creative craft. When the work of processing pain, for example, and intensely observing the details of life—regularly fixating on moments and details, and replaying incidents—to create new, evocative works of art tests and compromises our well-being, where do we turn?

For whatever reasons, the labor that goes into creative endeavors is often not seen as "real work" in a culture that nevertheless consumes art voraciously. How many movies, songs, photographs, books, podcasts, etc. do you suppose the average person relies upon weekly? I would venture to guess quite a few. 

I believe in honoring all kinds of work, whether it's analyzing data, unloading a truck, or arranging a composition for a horn section. Unfortunately, some careers come with minimal health insurance, if any at all. Even when insurance is available to artists, the policies often include little in the way of mental health benefits. Lacking resources, many creatives either carry on with a thorn in their side or self-medicate. 

When my brother died of a heroin overdose a while back, I'd reached a breaking point mentally. Upon reaching out to my healthcare provider, I learned my insurance would not enable me to talk to a professional. They did, however, point me to an app with a free trial period that made calming rain sounds and had boilerplate positive affirmations with photos of nature (how nice!). 

We have to do better. 

Thankfully, there are organizations like Dissonance. I recently learned about this organization and the support it provides to artists and the broader community. In addition to offering assistance and resources in times of need, and advancing public conversations about well-being, Dissonance routinely validates the real work carried out by art-makers. Sometimes even this validation is enough to prevent a tailspin. 

So, if you have listened to music, watched a show, had a moment of reflection during a podcast, looked at a painting, or enjoyed a book recently and those things made your life better, would you consider contributing to this organization and the invaluable support it provides for the minds and hearts of those who enrich you with their creative pursuits? 

Tommy Rehbein is a guitar player, producer and custom guitar-pedal maker in Minneapolis. He has written and performed with numerous bands, including Toilet Rats, Small Towns Burn A Little Slower. Robosapien, International Karate, Naive Sense, Farewell Continental, Cinema Eyes, and Huntingtons.

An Impactful Year & More Ahead: Introducing Dollars for Dissonance

By Hyedi Nelson

Give to the Max Day is probably my favorite holiday. I love the energy and excitement that’s focused on Minnesota nonprofits for an entire day, and I’m really excited about my first Give to the Max Day as a Dissonance board member. 

When I joined the board, I was somewhat familiar with the important work the organization had been doing for more than five years. But getting more intimately involved over these past eight months, I’ve gotten to see the impact of Dissonance firsthand—both in individual lives and in the community.

Dissonance Year in Review

In 2022, thanks to generous donations from our supporters, Dissonance launched its Sessions series, releasing episodes one and two featuring Charlie Parr and Chastity Brown, respectively. And a third installment is on the way.

We’ve also seen our monthly StoryWell series evolve. After converting the format to virtual throughout 2020 and 2021, we’ve been able to resume some in-person meet-ups, bringing back an important component of connection and support.

To kick off the year, we contributed to the Star Tribune’s multimedia project challenging community members to give up drinking or cut back, and supporting them in that effort, during Dry January. Throughout 2022, we spread our mission and reached more people through interviews with various media (i.e. MPR, Fox 9, MinnPost, Star Tribune, Mostly MN Music, Adventures in Americana, Duluth News Tribune) as well as content shared via our own website and social media channels (Instagram, Facebook, YouTube, Twitter).

In February, we amplified and gratefully accepted proceeds from Twin Cities music legend Cindy Lawson’s touching song and tribute to her friend, the late beloved singer/songwriter Lori Wray. We also sponsored the Morningside After Dark event series, featuring amazing Minnesota artists, from January through April.

In May, we participated in MTV’s second annual Mental Health Action Day, joining others around the country in sharing resources with our community. We also had the opportunity to host the very talented Chris Koza for a house concert. Chris played an intimate set for those in attendance and also sat down with Dissonance co-founder Sarah Souder Johnson for a conversation about wellness in the music industry and his personal experiences, challenges and successes. 

We were happy to sponsor music for an event in July at Jinx Tea in Minneapolis, featuring the mobile Sans Bar from Austin, Texas, which provided an alcohol-free night full of spirit. And it was an honor to lead a mental health workshop for BETA , a nonprofit that supports the founders of Minnesota-based tech startups.

Next up was a screening of the The Creative High, an award-winning film profiles nine artists in recovery from addiction who are transformed by creativity in the search for identity and freedom. Dissonance, along with Passenger Recovery and The SIMS Foundation, three nonprofits separated by thousands of miles but connected by the mission of supporting wellness in and through the arts, came together to host an exclusive online screening and discussion of the documentary.

And last, but not least, we held our 2nd annual Ghost Notes Fall Block Party on September 17. The day was full of music, art literature, activities, N/A drinks, food, and fun. So many awesome folks came together to make it happen as volunteers, vendors, organizers, sponsors, and guests. But we’re especially thankful to the musicians who embraced the concept of a sober performance space and brought their all to the stage.

And 2022 isn’t over yet: On Friday, December 9, Unhappy Holidays is BACK. Join us for a stellar panel and of course, delicious N/A beverages and be around others in a laid-back, low-key atmosphere as a bit of respite from the usual holiday hectic-ness.

Dollars for Dissonance

OK, so back to Give to the Max Day. This year, we’re introducing Dollars for Dissonance, a focused fundraising campaign with the goal of raising $5,000 (with a stretch goal of $10,000) to help fund Dissonance’s major initiatives in 2023 (including Season 2 of Sessions!) with the following goals:

  • Continue to fairly compensate artists who participate in our events, such as Sessions and Ghost Notes

  • Make our events accessible to as many as possible – without the barriers of cost or the presence of alcohol

  • Keep our Get Help Directory available at no cost

  • Engage more youth in our programming and activities

Early giving for Give to the Max Day is officially underway – so join us by making a donation now and/or creating your own fundraising page, or wait until Nov. 17 and join in the fun that day! Watch our website and social media channels for more.

Hyedi Nelson is a Dissonance board member.

(L to R) Dissonance board members Sarah Souder Johnson, Hyedi Nelson, Katy Vernon, Jeremiah Gardner, Jen Gilhoi and Manual Garcia.